著名人物传记英文200字？人物信息 姓名：奥沙利文 性别：男 英文名：Ronnie O'Sullivan 出生年月：1975年12月5日 国籍：英格兰 籍贯：艾塞克斯郡 现世界排名：第五 职业奖金：4,873,060英磅 简介 奥沙利文，自1992年转入职业斯诺克领域以来，以其风驰电掣的击球速度享誉全球，那么，著名人物传记英文200字？一起来了解一下吧。
Charles Dickens, known by his pen name "Boz," was a renowned English novelist of the Victorian era and an ardent social campaigner. Widely considered one of the greatest writers in the English language, he was lauded for his compelling storytelling and memorable characters, achieving immense popularity both in his time and today. Critics such as George Gissing and G. K. Chesterton later hailed his mastery of prose, his endless supply of memorable characters, and his powerful social consciousness, though writers like George Henry Lewes, Henry James, and Virginia Woolf criticized his work for sentimentality, implausible events, and grotesque characters.
Dickens' novels and short stories have never gone out of print, thanks to their enduring popularity. He wrote serialized novels, the standard format of the time, and the public eagerly awaited each new installment of his stories.
Theodore Roosevelt, the 26th President of the United States, was married to Edith Kermit Carow Roosevelt. He assumed the presidency at age 43 following the assassination of President McKinley, bringing new dynamism and authority to the role. Roosevelt led Congress and the American public toward progressive reforms and a robust foreign policy. He believed that the president, as a "steward of the people," should take necessary action for the public good unless explicitly barred by law or the Constitution. Roosevelt's presidency saw him as a "trust buster," forcing the dissolution of a large railroad combine in the Northwest and pursuing other antitrust suits under the Sherman Antitrust Act.
Roosevelt actively steered the United States into world politics, embracing a proactive role. He was known for quoting the maxim, "Speak softly and carry a big stick...". His strategic vision included the construction of the Panama Canal, which he ensured, and he extended the Monroe Doctrine to prevent the establishment of foreign bases in the Caribbean and assert the United States' right to intervene in Latin America.
Roosevelt won the Nobel Peace Prize for mediating the Russo-Japanese War, reached an agreement with Japan on immigration, and sent the Great White Fleet on a worldwide goodwill tour. His most effective achievements included efforts in conservation, expanding national forests in the West, setting aside public lands, and promoting major irrigation projects.
Roosevelt's energetic advocacy extended to all aspects of life, inspiring audiences with his high-pitched voice, jutting jaw, and pounding fist. His mantra, "The life of strenuous endeavor," applied to all around him, as he was seen romping with his five younger children and leading ambassadors on hikes through Rock Creek Park in Washington, D.C.
After leaving the presidency in 1909, Roosevelt embarked on an African safari and then returned to politics, running for president in 1912 on a Progressive ticket. His recovery from a shooting during a campaign stop in Milwaukee was indicative of his enduring vitality, summed up in his statement, "No man has had a happier life than I have led; a happier life in every way."
人物信息
姓名：奥沙利文
性别：男
英文名：Ronnie O'Sullivan
出生年月：1975年12月5日
国籍：英格兰
籍贯：艾塞克斯郡
现世界排名：第五
职业奖金：4,873,060英磅
简介
奥沙利文，自1992年转入职业斯诺克领域以来，以其风驰电掣的击球速度享誉全球， nickname"火箭"正是对他速度最快的击球手法的形象写照。他曾创下了5分20秒内完成单杆147分的吉尼斯世界纪录。作为一位性格型选手，他曾亲自创办品牌销售女士内衣，尽管这一尝试并未成功。他童年不幸，这使得他变得异常坚强，同时也多少带有一些任性。技术全面，攻守平衡，但随着年龄的增长，远台准度有所下降。2007年，他赢得了联盟杯、温布利大师杯和基尔缺衡告肯尼三个邀请赛的冠军。尽管在排名赛中的表现并不突出，在中国公开赛中进入四强，世锦赛八强输给希金斯，但在该赛季还是打出了两个单杆满分。2007年2月，他的女儿Lily诞生，这是他与女友乔的爱情结晶。在他的职业生涯中，共六次打出了单杆满分。
主要成绩
- 世界职业锦标赛冠军：2001, 2004
- UK锦标赛冠军：1993, 1997, 2001
- 英国公开赛冠军：1994
- 国际大奖赛冠军：2004
- 亚洲锦标赛冠军：1996
- 德国拦清公开赛冠军：1996
- 苏格兰公开赛冠军：1998, 2000
- 威尔士公开赛冠军：2004, 2005
- 欧洲公开赛冠军：2003
- 中国国际锦标赛冠军：2000, 2001
- 大师杯冠军：1995, 2005, 2007
- 爱尔兰大师赛冠军：2001, 2003, 2005
- 苏格兰大师赛冠军：1998, 2000, 2002
- 利物浦维多利亚慈善挑战赛冠军：1996
- 锦标赛冠军：2000
- 斯诺克超级联赛冠军：1997, 2001, 2002, 2005, 2006, 2007
- 本森.海吉斯锦标赛冠军：1993
- 国家杯冠军：2000
- Nescafe Extra 挑战赛冠军：1992
- 超级国际赛冠军：1997
- IBSF世界21岁以下锦标赛冠军：1991
William Edward Burghardt Du Bois (February 23, 1868 – August 27, 1963) was an American civil rights activist, Pan-Africanist, sociologist, historian, author, and editor. Historian David Levering Lewis wrote, "In the course of his long, turbulent career, W. E. B. Du Bois attempted virtually every possible solution to the problem of twentieth-century racism— scholarship, propaganda, integration, national self-determination, human rights, cultural and economic separatism, politics, international communism, expatriation, third world solidarity."
The first African-American graduate of Harvard University, where he earned his Ph.D in History, Du Bois later became a professor of history and economics at Atlanta University. He became the head of the National Association for the Advancement of Colored People (NAACP) in 1910, becoming founder and editor of the NAACP's journal The Crisis. Du Bois rose to national attention in his opposition of Booker T. Washington's ideas of social integration between whites and blacks, campaigning instead for increased political representation for blacks in order to guarantee civil rights, and the formation of a Black elite that would work for the progress of the African American race.
Writings
Du Bois wrote many books, including three major autobiographies. Among his most significant works are The Philadelphia Negro (1899), The Souls of Black Folk (1903), John Brown (1909), Black Reconstruction (1935), and Black Folk, Then and Now (1939). His book The Negro (1915) influenced the work of several pioneer Africanist scholars, such as Drusilla Dunjee Houston[8] and William Leo Hansberry.
In the New York Times review of The Souls of Black Folk, the anonymous book reviewer wrote, "For it is the Jim Crow car, and the fact that he may not smoke a cigar and drink a cup of tea with the white man in the South, that most galls William E. Burghardt Du Bois of the Atlanta College for Negroes."
[I]t is the thought of a negro of Northern education who has lived long among his brethren of the South yet who can not fully feel the meaning of some things which these brethren know by instinct — and which the Southern-bred white knows by a similar instinct: certain things which are by both accepted as facts — not theories — fundamental attitudes of race to race which are the product of conditions extending over centuries, as are the somewhat parallel attitudes of the gentry to the peasantry in other countries.
While prominent white scholars denied African-American cultural, political and social relevance to American history and civic life, in his epic work Black Reconstruction, Du Bois documented how black people were central figures in the American Civil War and Reconstruction, and also showed how they made alliances with white politicians. He provided evidence to disprove the Dunning School theories of Reconstruction, showing the coalition governments established public education in the South, as well as many needed social service programs. He demonstrated the ways in which Black emancipation — the crux of Reconstruction — promoted a radical restructuring of United States society, as well as how and why the country failed to continue support for civil rights for blacks in the aftermath of Reconstruction.This theme was taken up later and expanded by Eric Foner and Leon F. Litwack, the two leading late twentieth century scholars of the Reconstruction era.
In 1940, at Atlanta University, Du Bois founded Phylon magazine. In 1946, he wrote The World and Africa: An Inquiry into the Part That Africa Has Played in World History. In 1945, he helped organize the historic Fifth Pan-African Conference in Manchester, Great Britain. In total, Du Bois wrote 22 books, including five novels. He helped establish four academic journals.
Criminology
Du Bois began writing about the sociology of crime in 1897, shortly after receiving his Ph.D. from Harvard (Zuckerman, 2004, p. 2). His first work involving crime, A Program of Social Reform, was shortly followed by a second, The Study of the Negro Problems (Du Bois, 1897; Du Bois, 1898). The first work that involved in-depth criminological study and theorizing was The Philadelphia Negro, in which a large section of the sociological study was devoted to analysis of the black criminal population in Philadelphia (Du Bois, 1899).
Du Bois (1899) set forth three significant parts to his criminology theory. The first was that Negro crime was caused by the strain of the "social revolution" experienced by black Americans as they began to adapt to their new-found freedom and position in the nation. This theory was similar to Durkheim's (1893) Anomie theory, but it applied specifically to the newly freed Negro. Du Bois (1900a, p. 3) credited Emancipation with causing the boom in crime in the black population. He explained, "[T]he appearance of crime among the southern Negroes is a symptom of wrong social conditions
上google里面搜索Edward Hopper
维基百科（Wikipedia）里就有介绍
或
"Edward Hopper, the best-known American realist of the inter-war period, once said: 'The man's the work. Something doesn't come out of nothing.' This offers a clue to interpreting the work of an artist who was not only intensely private, but who made solitude and introspection important themes in his painting.
"He was born in the small Hudson River town of Nyack, New York State, on 22 July 1882. His family were solidly middle-class: his father owned a dry goods store where the young Hopper sometimes worked after school. By 1899 he had already decided to become an artist, but his parents persuaded him to begin by studying commercial illustration because this seemed to offer a more secure future. He first attended the New York School of Illustrating (more obscure than its title suggests), then in 1900 transferred to the New York School of Art. Here the leading figure and chief instructor was William Merritt Chase (1849-1916), an elegant imitator of Sargent. He also worked under Robert Henri (1869-1929), one of the fathers of American Realism - a man whom he later described as 'the most influential teacher I had', adding 'men didn't get much from Chase; there were mostly women in the class.' Hopper was a slow developer - he remained at the School of Art for seven years, latterly undertaking some teaching work himself. However, like the majority of the young American artists of the time, he longed to study in France. With his parents' help he finally left for Paris in October 1906. This was an exciting moment in the history of the Modern movement, but Hopper was to claim that its effect on him was minimal:
Whom did I meet? Nobody. I'd heard of Gertrude Stein, but I don't remember having heard of Picasso at all. I used to go to the cafés at night and sit and watch. I went to the theatre a little. Paris had no great or immediate impact on me.
"In addition to spending some months in Paris, he visited London, Amsterdam, Berlin and Brussels. The picture that seems to have impressed him most was Rembrandt's The Night Watch (in the Rijksmuseum, Amsterdam). Hopper was able to repeat his trip to Europe in 1909 and 1910. On the second occasion he visited Spain as well as France. After this, though he was to remain a restless traveller, he never set foot in Europe again. Yet its influence was to remain with him for a long time: he was well read in French literature, and could quote Verlaine in the original, as his future wife discovered (he was surprised when she finished the quotation for him). He said later: '[America] seemed awfully crude and raw when I got back. It took me ten years to get over Europe.' For some time his painting was full of reminiscences of what he had seen abroad. This tendency culminates in Soir Bleu of 1914, a recollection of the Mi-Caréme carnival in Paris, and one of the largest pictures Hopper ever painted. It failed to attract any attention when he showed it in a mixed exhibition in the following year, and it was this failure which threw him back to working on the American subjects with which his reputation is now associated. In 1913 Hopper made his first sale - a picture exhibited at the Armory Show in New York which brought together American artists and all the leading European modernists. In 1920 he had his first solo exhibition, at the Whitney Studio Club, but on this occasion none of the paintings sold. He was already thirty-seven and beginning to doubt if he would achieve any success as an artist - he was still forced to earn a living as a commercial illustrator. One way round this dilemma was to make prints, for which at that time there was a rising new market. These sold more readily than his paintings, and Hopper then moved to making watercolours, which sold more readily still.
"Hopper had settled in Greenwich Village, which was to be his base for the rest of his life, and in 1923 he renewed his friendship with a neighbour, Jo Nivison, whom he had known when they were fellow students under Chase and Henri. She was now forty; Hopper was forty-two. In the following year they married. Their long and complex relationship was to be the most important of the artist's life. Fiercely loyal to her husband, Jo felt in many respects oppressed by him. In particular, she felt that he did nothing to encourage her own development as a painter, but on the contrary did everything to frustrate it. 'Ed,' she confided to her diary, 'is the very centre of my universe... If I'm on the point of being very happy, he sees to it that I'm not.' The couple often quarrelled fiercely (an early subject of contention was Jo's devotion to her cat Arthur, whom Hopper regarded as a rival for her attention). Sometimes their rows exploded into physical violence, and on one occasion, just before a trip to Mexico, Jo bit Hopper's hand to the bone. On the other hand, her presence was essential to his work, sometimes literally so, since she now modelled for all the female figures in his paintings, and was adept at enacting the various roles he required.
"From the time of his marriage, Hopper's professional fortunes changed. His second solo show, at the Rehn Gallery in New York in 1924, was a sell-out. The following year, he painted what is now generally acknowledged to be his first fully mature picture, The House by the Railroad. With its deliberate, disciplined spareness, this is typical of what he was to create thereafter. His paintings combine apparently incompatible qualities. Modern in their bleakness and simplicity, they are also full of nostalgia for the puritan virtues of the American past - the kind of quirky nineteenth-century architecture Hopper liked to paint, for instance, could not have been more out of fashion than it was in the mid-192OS, when he first began to look at it seriously. Though his compositions are supposedly realist they also make frequent use of covert symbolism. Hopper's paintings have, in this respect, been rather aptly compared to the realist plays of Ibsen, a writer whom he admired.
"One of the themes of The House by the Railroad is the loneliness of travel, and the Hoppers now began to travel widely within the United States, as well as going on trips to Mexico. Their mobility was made possible by the fact that they were now sufficiently prosperous to buy a car. This became another subject of contention between the artist and his wife, since Hopper, not a good driver himself, resisted Jo's wish to learn to drive too. She did not acquire a driving licence until 1936, and even then her husband was extremely reluctant to allow her control of their automobile.
"By this time Hopper, whose career, once it took off, was surprisingly little affected by the Depression, had become extremely well known. In 1929, he was included in the Museum of Modern Art's second exhibition, Paintings by Nineteen Living Americans, and in 1930 The House by the Railroad entered the museum's permanent collection, as a gift from the millionaire collector Stephen Clark. In the same year, the Whitney Museum bought Hopper's Early Sunday Morning, its most expensive purchase up to that time. In 1933 Hopper was given a retrospective exhibition at the Museum of Modern Art. This was followed, in 1950, by a fuller retrospective show at the Whitney.
"Hopper became a pictorial poet who recorded the starkness and vastness of America. Sometimes he expressed aspects of this in traditional guise, as, for example, in his pictures of lighthouses and harsh New England landscapes; sometimes New York was his context, with eloquent cityscapes, often showing deserted streets at night. Some paintings, such as his celebrated image of a gas-station, Gas (1940), even have elements which anticipate Pop Art. Hopper once said: 'To me the most important thing is the sense of going on. You know how beautiful things are when you're travelling.'
"He painted hotels, motels, trains and highways, and also liked to paint the public and semi-public places where people gathered: restaurants, theatres, cinemas and offices. But even in these paintings he stressed the theme of loneliness - his theatres are often semideserted, with a few patrons waiting for the curtain to go up or the performers isolated in the fierce light of the stage. Hopper was a frequent movie-goer, and there is often a cinematic quality in his work. As the years went on, however, he found suitable subjects increasingly difficult to discover, and often felt blocked and unable to paint. His contemporary the painter Charles Burchfield wrote: 'With Hopper the whole fabric of his art seems to be interwoven with his personal character and manner of living.' When the link between the outer world he observed and the inner world of feeling and fantasy broke, Hopper found he was unable to create.
"In particular, the rise of Abstract Expressionism left him marooned artistically, for he disapproved of many aspects of the new art. He died in 1967, isolated if not forgotten, and Jo Hopper died ten months later. His true importance has only been fully realized in the years since his death."
William Henry "Bill" Gates III (born October 28, 1955)[2] is an American business magnate, philanthropist, author, and chairman[3] of Microsoft, the software company he founded with Paul Allen. He is ranked consistently one of the world's wealthiest people[4] and the wealthiest overall as of 2009.[1] During his career at Microsoft, Gates held the positions of CEO and chief software architect, and remains the largest individual shareholder with more than 8 percent of the common stock.[5] He has also authored or co-authored several books.
Gates is one of the best-known entrepreneurs of the personal computer revolution. Although he is admired by many, a number of industry insiders criticize his business tactics, which they consider anti-competitive, an opinion which has in some cases been upheld by the courts.[6][7] In the later stages of his career, Gates has pursued a number of philanthropic endeavors, donating large amounts of money to various charitable organizations and scientific research programs through the Bill & Melinda Gates Foundation, established in 2000.
Bill Gates stepped down as chief executive officer of Microsoft in January, 2000. He remained as chairman and created the position of chief software architect. In June, 2006, Gates announced that he would be transitioning from full-time work at Microsoft to part-time work and full-time work at the Bill & Melinda Gates Foundation. He gradually transferred his duties to Ray Ozzie, chief software architect and Craig Mundie, chief research and strategy officer. Gates' last full-time day at Microsoft was June 27, 2008. He remains at Microsoft as non-executive chairman.
As of 2009 he has had over 5 honorary doctorates from several world renowned universities.
以上就是著名人物传记英文200字的全部内容，史蒂芬·威廉·霍金，CH,CBE,FRS,FRSA（Stephen William Hawking，1942年1月8日），英国剑桥大学著名物理学家，是当今最伟大的物理学家之一。他患有肌肉萎缩性侧索硬化症（卢伽雷病），全身瘫痪，不能说话。 他唯一能动的地方只有两只眼睛和3根手指，其他地方根本不能动。1979至2009年任卢卡斯数学教授，内容来源于互联网，信息真伪需自行辨别。如有侵权请联系删除。
